The City, Seen from the circle of hills which surrounds the city, Florence gives an impression of completeness of design, its medieval and Renaissance architecture dominated by Brunelleschi s immense terracotta dome erta sopra e cieli, ampla da coprire chon sua ombra tucti e popoli toscanf ( Soaring above in the sky, large enough to cover with its shadow all the Tuscan people }, as Leon Battista Alberti described it in his Trattato della Pittura with its celebrated dedica- tion to Fflippo di Ser Brunelhisco . The city is a perfect whole to which nothing can be added or removed without altering the harmony which it has been given by man over a span of about eight centuries. In perhaps no other city are the intention of man and the design of nature so bound up together. The city is born out of the valley, its monuments enclosed by an amphitheatre of hills. Its architecture has been created by the human mind in imitation of its natural setting, and Brunelhischi cemented this relationship for ever with his great cupola, a poetic masterpiece of engineering. I advise any visitor, before penetrating the streets and piazze of the city, to take himself without the city gates , up onto the circle of hills, so as to perceive the physical unity which embraces the spirit of Florentine art, Probably the most remarkable of all Florentine views is that from the hillside of Bellosguardo, approached by a winding road from which the natural landscape can be seen blending with that of thb city. The view from the top of the hill takes in the faqades of the most important buildings in an almost unconscious summary of the beauties of Florence, to paraphrase one of the oldest guides to the city. Thousands of modest roofs covered by simple terracotta tiles remind us of the humble but highly skilled craftsmanship which is still an important characteristic of daily Ire in the city. Above these rise the principal monuments of the city which testify to the presence of exceptional artists, from the Romanesque period onwards, who made Florence the centre to which the art world looked for inspira- tion and guidance.
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