| AcknowledgementsIntroductionChapter One David Hare: The Work of Mourning, or, The Agony and the Ecstasy of the BourgeoisieThe Year of Magical Thinking -- Teeth 'n' Smiles -- Plenty ---- The Secret Rapture -- Skylight -- The Judas Kiss -- Amy's View -- My Zinc Bed -- The Permanent Way ---- The Vertical Hour -- Gethsemane Chapter Two Howard Barker: Will and Desire -- From the Tragedy of Socialism to the Ecstasy of the UnconsciousClaw -- Fair Slaughter -- That Good Between Us ---- The Power of the Dog -- Victory -- The Castle -- The Europeans ---- The Possibilities -- Gertrude-The Cry -- Dead Hands -- The Seduction of Almighty God by the Boy Priest Loftus in the Abbey of Calcetto, 1539Chapter Three Edward Bond: Tragedy and Postmodernity, or, The Promethean ImpulseSaved -- Lear -- Bingo -- The Fool ---- Restoration ---- The War Plays -- Olly's Prison -- At the Inland Sea -- Coffee-- The Crime of the Twenty-First Century -- ChairChapter Four Caryl Churchill: The Dionysian Mobius StripSeven Jewish Children -- Lovesick -- Abortive ---- Owners -- Traps ---- Light Shining in Buckinghamshire -- Cloud Nine -- Top Girls -- Fen -- A Mouthful of Birds ---- Lives of the Great Poisoners -- The Skriker -- Thyestes ------ Far Away ---- A NumberChapter Five New English Tragedians: The Tragedy of the TragicMark Ravenhill: Shopping and Fucking -- Faust is Dead -- Handbag -- Some Explicit Polaroids -- Product -- The Cut -- pool (no water) -- Sarah Kane: Blasted -- Phaedra's Love -- Cleansed -- Crave -- 4.48 PsychosisConclusion: Late Modernism in JerusalemWorks CitedIndex |
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