目录1. Introduction: Revolutionary Rupture and National Stability Part 1 2. Kino-Nedelia, Early Documentary, and the Performance of a New Collective, 1917-1921; 3. A Cinema Looking For People: The Individual and the Collective in Immediate Post-Revolutionary Cuban Nonfiction Film Part 2 4. The Dialectics of Thought and Vision in the Films of Dziga Vertov, 1922-1927; 5. (Non)Alignments and the New Revolutionary Man Part 3 6. Esfir Shub, Factography, and the New Documentary Historiography; 7. The Object of Revolutionary History: Santiago Alvarez' Commemorative Newsreels and Chronicle Documentaries, 1972-1974 Notes; Filmography; Bibliography |
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