Carol T. Christ (Ph.D. Yale) is Professor
Emeritus of English at the University of California, Berkeley, and
President of Smith College. She is the author of The Finer
Optic: The Aesthetic of Particularity and Victorian Poetry and
Victorian and Modern Poetics and editor of the Norton
Critical Edition of The Mill on the Floss and, with John
Jordan, Victorian Literature and the Victorian Visual
Imagination. She is the recipient of an NEH Fellowship and a
member of the American Academy of Arts and Sciences.
^Deidre Shauna Lynch is Chancellor Jackman
Professor and Associate Professor of English at the University of
Toronto. She is the author of The Economy of Character,
which was awarded the MLA’s Prize for a First Book, and editor of
Janeites: Austen’s Disciples and Devotees and, with
William B. Warner, Cultural Institutions of the Novel. She
is also an editor of The Norton Anthology of English
Literature. She is the recipient of fellowships from the
National Humanities Center and the John Simon Guggenheim Memorial
Foundation, of the State University of New York Chancellor’s Award
for Excellence in Teaching, and of the Northeast Association of
Graduate Schools’ Graduate Faculty Teaching Award.^Jahan
Ramazani (Ph.D. Yale and M.Phil. Oxford) is Edgar F.
Shannon Professor of English at the University of Virginia,
previously the Mayo NEH Distinguished Teaching Professor. He is the
author of Poetry of Mourning: The Modern Elegy from Hardy to
Heaney, which was a finalist for the National Book Critics
Circle Award, and The Hybrid Muse: Postcolonial Poetry in
English and Yeats and the Poetry of Death: Elegy,
Self-Elegy, and the Sublime. He is coeditor of The Norton
Anthology of Modern and Contemporary Poetry. Ramazani is the
recipient of a Guggenheim Fellowship, an NEH Fellowship, a Rhodes
Scholarship, and MLA’s William Riley Parker
Prize.^Catherine Robson (Ph.D. Berkeley) is
Associate Professor of English and Chancellor’s Fellow at the
University of California, Davis, and a faculty member of the
University of California Dickens Project. She is the author of
Men in Wonderland: The Lost Girlhood of the Victorian
Gentleman and Heart Beats: Everyday Life and the Memorized
Poem (forthcoming) and a recipient of NEH and Guggenheim
fellowships.^Jon Stallworthy (M.A. and B.Litt.
Oxford) is Senior Research Fellow at Wolfson College of Oxford
University, where he is also Professor of English Literature. He is
also the former John Wendell Anderson Professor at Cornell, where
he taught after a career at Oxford University Press. His biography
of Wilfred Owen won the Duff Cooper Memorial Prize, the W. H. Smith
Literary Award, and the E. M. Forster Award of the American Academy
of Arts and Letters. His biography of Louis MacNeice won the
Southern Arts Literary Prize. He is also the author of Rounding
the Horn: Collected Poems and Singing School: The Making
of a Poet and he is the editor of the definitive edition of
Wilfred Owen’s poetry, The Complete Poems and Fragments;
The Penguin Book of Love Poetry; and The Oxford Book
of War Poetry. Stallworthy has received a Guggenheim
Fellowship and is a fellow of the British Academy and the Royal
Society of Literature.^Jack Stillinger (Ph.D.
Harvard) is Center for Advanced Study Professor of English at the
University of Illinois. He is the author of The Hoodwinking of
Madeline and Other Essays on Keats’s Poems, The Texts of
Keats’s Poems, the standard edition of The Poems of John
Keats, Multiple Authorship and the Myth of Solitary
Genius, Coleridge and Textual Instability, and
Reading "The Eve of St. Agnes." He is the recipient of
Guggenheim and Woodrow Wilson fellowships and is a fellow of the
American Academy of Arts and Sciences.^Stephen
Greenblatt (Ph.D. Yale) is Cogan University Professor of
English and American Literature and Language at Harvard University.
Also General Editor of The Norton Anthology of English
Literature, Eighth Edition, he is the author of nine books,
including Will in the World: How Shakespeare Became
Shakespeare; Hamlet in Purgatory; Practicing New
Historicism; Marvelous Possessions: The Wonder of the New
World, and Learning to Curse: Essays in Early Modern
Culture. He has edited six collections of criticism, is the
co-author (with Charles Mee) of a play, Cardenio, and is a
founding coeditor of the journal Representations. He
honors include the MLA's James Russell Lowell Prize, for
Shakespearean Negotiations: The Circulation of Social Energy in
Renaissance England, the Distinguished Humanist Award from the
Mellon Foundation, the Distinguished Teaching Award from the
University of California, Berkeley. He is a fellow of the American
Academy of Arts and Sciences and the American Philosophical
Society.^M. H. Abrams (Founding Editor Emeritus;
Ph.D. Harvard) is Class of 1916 Professor of English, Emeritus at
Cornell University. He received the Phi Beta Kappa Christian Gauss
Prize for The Mirror and the Lamp and the MLA’s James
Russell Lowell Prize for Natural Supernaturalism. He is
also the author of The Milk of Paradise, A Glossary of
Literary Terms, The Correspondent Breeze, and
Doing Things with Texts. He is the recipient of
Guggenheim, Ford Foundation, and Rockefeller Postwar fellowships,
the Award in Humanistic Studies from the Academy of Arts and
Sciences (1984), the Distinguished Scholar Award by the
Keats-Shelley Society (1987), and the Award for Literature by the
American Academy of Arts and Letters (1990). In 1999 The Mirror
and the Lamp was ranked twenty-fifth among the Modern
Library’s "100 best nonfiction books written in English during the
twentieth century."
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