All the Art That's Fit to Print (and Some That Wasn't): Inside the New York Times Op-Ed Page

A chronicle of late twentieth-century history, replete with sardonic images of tyrants and visual commentaries on the fall of communism; the works of Eastern Europeans who fled totalitarian regimes are some of the most challenging and resonant. In this overflowing treasure chest of ideas, politics and cultural critiques, Kraus proves that 'art is dangerous' and sometimes necessarily so. Publishers Weekly 8/25/08 Readers will be entertained and come away with a deeper appreciation of the power of illustration. Library Journal 9/15/08 Worth the price of the book is Kraus's 2 1/2-hour encounter with former President Richard Nixon. History Wire An intensely personal history of the [op-ed] page as it weathered tempests and tinpot tyrannies at the Times. Columbia Journalism Review Jan / Feb 09 As a memoir, Kraus's work provides colorful, intimate, and occasionally searing portraits of several high-ranking Times executives. -- Michael Socolow JHistory 7/1/09 Part memoir, part art book, and part journalism history. But all parts are exemplary. -- Beth Haller American Journalism 8/1/09 An excellent reminder of the power of editorial illustration. These images do so much more than break up the gray space of columns of text. This book gives life to an underappreciated, and often unexamined, form of visual journalism. Jounralism Nol 11 no 3