| Acknowledgments Introduction Chapter 1: From Saint Genesius to Saint Genet: Actors, Martyrs, and Metatheater Chapter 2: La Comedie des comediens and the Defense of Theatrical Illusion Chapter 3: La commedia da fare: Baroque and Neobaroque Metatheater in Bernini and Pirandello Chapter 4: Hamlets and Meta-Hamlets: Shakespeare, Pirandello, Stoppard Chapter 5: Metatheater as Manifesto: The Impromptu Epilogue About the Author Bibliography |
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