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All Access: Your Backstage Pass to Concert Photography

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All Access: Your Backstage Pass to Concert Photography

最 低 价:¥166.00

定 价:¥217.00

作 者:Alan Hess

出 版 社:

出版时间:2012年2月7日

I S B N:9781118172902

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From the Author: 5 Tips for Shooting Concerts

Alan Hess, Author
1. Learn how to shoot in manual mode.
The constant changing lights at a live concert can cause exposure problems that shooting in manual mode can help you overcome. When you use any of the modes other than manual to control the exposure settings on your camera, the cameras built in light meter has control over some of the settings. For example, when you shoot in aperture priority mode, you set the aperture, but the camera reads the light in the scene and sets the shutter speed. When you use shutter speed priority, you set the shutter speed, but the camera reads the light in the scene and sets the aperture. If the light in the background gets brighter all of a sudden then the camera will pick a faster shutter speed or a smaller aperture and can cause the main part of the image to be underexposed. To really get consistent great concert shots, you need to be able to adjust the shutter speed and aperture yourself using the manual mode of the camera.

2. Use the right metering mode.
In the previous tip, I suggest that you use the manual mode to take the photos which ignores the metering mode but even though the camera doesn't use the information, it is very useful to get the correct settings to start with. The best metering mode for most concert photographs is the spot metering mode. The spot metering mode ignores most of the scene in front of the camera and instead only uses a very small area usually centered around the focus point. By just reading the light in this small section and not the whole scene means that the moving lights in the background or the lack of light in the background is ignored.

3. Focus carefully.
When shooting in low light as is the norm when shooting concerts, you usually have to use the widest aperture available on the lens. This wide aperture means a shallow depth of field and in the cases when you use a prime lens with a maximum aperture of f/1.4 a very shallow depth of field. This means that you have to be very careful what the focus point of the image is. Make sure that you pick the correct spot for the focus point.

4. Timing is everything.
With all photography, you need to make sure that you are capturing the subject at the best possible moment. When it comes to concert photography this usually means that you have to wait until the musician is not hidden behind the microphone or turned away from you. Watch for the interactions between the performer and the audience for those moments that make the show special and do your research. If the performer is known for a special look or action, make sure you capture that.

5. Shoot in bursts.
With the ability of today's digital cameras to shoot in continuous mode and the large capacity memory cards being relatively inexpensive there is no reason not to shoot in bursts. That is to take 3,4 or even 5 shots in quick succession instead of just one. This allows you to capture the moment with more certainty and even if the lights are changing you can still get the shot.



Sample Photos from the Author (Click on images to enlarge)

Black and White Photo of Billy Gibbons
The smile is what makes this photo of Billy Gibbons so great. It captures the real fun that he was having on stage that night and combined with him looking right at the camera makes it one of my favorites. This was taken in a bar with pretty low lighting with a very red color cast so I converted the image to black and white in post production using Adobe Lightroom and Nik Silver Efex Pro 2.

Copyright Alan Hess
Dave Navarro on Guitar
When photographing guitar players, I always try to get the whole guitar into the frame. In this case I had to lean back and very carefully compose the shot as not to cut the guitar neck or Dave's shoulder on the other side. Be aware of all the action going on in the frame and make sure the elements that you want to show are in focus. The vocalist is behind Dave and you can see him in the background but since there is a very shallow depth of field he is pleasantly out of focus.

Copyright Alan Hess
Billy Morrison on Guitar
Many times it is easier to get access to shot concerts in bars or smaller venues. This photo of Billy Morrison was taken when his band Camp Freddy played a series of shows at the Roxy in Los Angeles in late 2011. There was no photo pit so I had to show up early and wait for the show to start. Now while that may not sound very glamorous, the small venue allowed me to capture intimate shots like this one.

Copyright Alan Hess



内容简介

内容简介

Advice, inspiration, and insight for taking remarkable concert photos

Concert photography poses a unique set of challenges to photographers, including night or low-light, inconsistent stage lighting, a moving subject matter, limitations on vantage point, complex exposure situations, and no chance for re-takes. Compounded with those hurdles is a lack of resources on this subject?until now. All Access: Your Backstage Pass to Concert Photography fills this gap and provides you with all the information you need to know, from choosing the right gear and camera settings to negotiating rights to publish or share photos as well as how to best edit your photos in post-production.

  • Reveals essential techniques and valuable best practices for dealing with the unique challenges of concert photography
  • Features more than 200 stunning concert photographs to inspire you and illustrate the tips and techniques the author describes
  • Written by experienced author and well-known concert photographer Alan Hess

All Access: Your Backstage Pass to Concert Photography is an ideal resource if you are determined to learn the skills necessary to capture clear, well-composed, and professional-level concert photos.

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