W. Dean Sutcliffe investigates one of the greatest yet least
understood repertories of Western keyboard music: the 555 keyboard
sonatas of Domenico Scarlatti. Scarlatti occupies a position of
solitary splendour in musical history. The sources of his style are
often obscure and his immediate influence is difficult to discern.
Further, the lack of hard documentary evidence has hindered
musicological activity. Dr Sutcliffe offers not just a thorough
reconsideration of the historical factors that have contributed to
Scarlatti's position, but also sustained engagement with the music,
offering both individual readings and broader commentary of an
unprecedented kind. A principal task of this book is to remove the
composer from his critical ghetto (however honourable) and redefine
his image. In so doing it will reflect on the historiographical
difficulties involved in understanding eighteenth-century musical
style.
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