Rheinhardt, a disk jockey and failed musician, rolls into New
Orleans looking for work and another chance in life. What he finds
is a woman physically and psychically damaged by the men in her
past and a job that entangles him in a right-wing political
movement. Peopled with civil rights activists, fanatical
Christians, corrupt politicians, and demented Hollywood stars, A
Hall of Mirrors vividly depicts the dark side of America that
erupted in the sixties. To quote Wallace Stegner, "Stone writes
like a bird, like an angel, like a circus barker, like a con man,
like someone so high on pot that he is scraping his shoes on the
stars."
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