Titus Andronicus is still regarded by many as a bad play of
dubious authorship. Its adversaries have abhorred the violence of
the action and the apparent lapses in the quality of the verse.
Since 1945, however, the play has been taken increasingly seriously
in both the theatre and the study: the violence and cruelty it
depicts were disconcertingly matched by the events of two World
Wars. Hughes joins those critics who take the play seriously,
arguing for its unity of theme and its grim humour, and
demonstrates that it is the work of a brilliant stage craftsman,
confident in his mastery of space, movement and verse. The text is
based on the first quarto, supplemented by crucial additions and
stage directions from the Folio. For this updated edition, a new
section is included on recent stage, film and critical
interpretations by Sue Hall-Smith. An updated reading list
completes the edition.
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