This text shows how The Big Sleep signalled a change in the nature of Hollywood cinema, as the director Howard Hawks shot extra scenes, "fun" scenes, to replace the ones in which the murders are explained, and in so doing left the plot unresolved.
作者简介
David Thomson, author of The New Biographical Dictionary of Film, is a regular contributor to The Guardian, The New York Times, Film Comment, Movieline, The New Republic, and Salon. He lives in San Francisco.
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