In 1960 the government of Trinidad invited V. S. Naipaul to
revisit his native country and record his impressions. In this
classic of modern travel writing he has created a deft and
remarkably prescient portrait of Trinidad and four adjacent
Caribbean societies–countries haunted by the legacies of slavery
and colonialism and so thoroughly defined by the norms of Empire
that they can scarcely believe that the Empire is ending.
In The Middle Passage, Naipaul watches a Trinidadian movie
audience greeting Humphrey Bogart’s appearance with cries of “That
is man!” He ventures into a Trinidad slum so insalubrious that the
locals call it the Gaza Strip. He follows a racially charged
election campaign in British Guiana (now Guyana) and marvels at the
Gallic pretension of Martinique society, which maintains the
fiction that its roads are extensions of France’s routes
nationales. And throughout he relates the ghastly episodes of
the region’s colonial past and shows how they continue to inform
its language, politics, and values. The result is a work of
novelistic vividness and dazzling perspicacity that displays
Naipaul at the peak of his powers.
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