As a memoir elevated to the level of fine
art, John Ruskin’s Praeterita stands alongside The Education of
Henry Adams and the confessions of Augustine, Rousseau, and
Tolstoy. A luminous account of his childhood and youth, Praeterita
is the last major work of the revolutionary nineteenth-century
critic.
Written in the lucid intervals between the bouts
of dementia that haunted his final years, Praeterita tells the
story of Ruskin’s early life—the formation of his taste and
intellect through education, travels in Europe, and encounters with
great works of art and artists. In abandoning the traditional
linear mode of autobiography, Ruskin opened up the form and was an
important influence on Proust. He also provided a vivid, detailed
portrait of pre-Victorian and Victorian England that is as
indispensable an account of its era as Samuel Pepys’s diary is of
England in the seventeenth century.
This edition of Praeterita is accompanied by
Dilecta, Ruskin’s own selection from his letters, diaries, and
other writings. In these more private writings we get a fascinating
glimpse of genius as it flickers in and out of madness. Together
these two works illuminate the life and mind of a towering
intellect who left an extraordinary mark on the history of
aesthetics and culture, and on the very course of
autobiography.
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