In The Shakespeare Wars, Ron Rosenbaum gives readers an
unforgettable way of rethinking the greatest works of the human
imagination. As he did in his groundbreaking Explaining Hitler, he
shakes up much that we thought we understood about a vital subject
and renews our sense of excitement and urgency. He gives us a
Shakespeare book like no other. Rather than raking over worn-out
fragments of biography, Rosenbaum focuses on cutting-edge
controversies about the true source of Shakespeare’s enchantment
and illumination–the astonishing language itself. How best to
unlock the secrets of its spell?
With quicksilver wit and provocative insight, Rosenbaum takes
readers into the midst of fierce battles among the most brilliant
Shakespearean scholars and directors over just how to delve deeper
into the Shakespearean experience–deeper into the mind of
Shakespeare.
Was Shakespeare the one-draft wonder of Shakespeare in Love? Or
was he rather–as an embattled faction of textual scholars now
argues–a different kind of writer entirely: a conscientious reviser
of his greatest plays? Must we then revise our way of reading,
staging, and interpreting such works as Hamlet and King Lear?
Rosenbaum pursues key partisans in these debates from the high
tables of Oxford to a Krispy Kreme doughnut shop in a strip mall in
the Deep South. He makes ostensibly arcane textual scholarship
intensely seductive–and sometimes even explicitly sexual. At an
academic “Pleasure Seminar” in Bermuda, for instance, he examines
one scholar’s quest to find an orgasm in Romeo and Juliet.
Rosenbaum shows us great directors as Shakespearean scholars in
their own right: We hear Peter Brook–perhaps the most influential
Shakespearean director of the past century–disclose his quest for a
“secret play” hidden within the Bard’s comedies and dramas. We
listen to Sir Peter Hall, founder of the Royal Shakespeare Company,
as he launches into an impassioned, table-pounding fury while
discussing how the means of unleashing the full intensity of
Shakespeare’s language has been lost–and how to restore it.
Rosenbaum’s hilarious inside account of “the Great Shakespeare
‘Funeral Elegy’ Fiasco,” a man-versus-computer clash, illustrates
the iconic struggle to define what is and isn’t “Shakespearean.”
And he demonstrates the way Shakespearean scholars such as Harold
Bloom can become great Shakespearean characters in their own
right.
The Shakespeare Wars offers a thrilling opportunity to engage
with Shakespeare’s work at its deepest levels. Like Explaining
Hitler, this book is destined to revolutionize the way we think
about one of the overwhelming obsessions of our time.
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