(Book Jacket Status: Jacketed) "Jane Austen remains the most
misunderstood of great English writers . . . Austen's is an
extended, exploratory, dangerously subversive art, and is neither
harmlessly decorative nor picturesquely provincial . . . Irony] is
the secret of the perfect self-sufficiency of "Pride and
Prejudice.""--from the Introduction by Peter Conrad No novel in
English has given more pleasure than "Pride and Prejudice." Because
it is one of the great works in our literature, critics in every
generation reexamine and reinterpret it. But the rest of us simply
fall in love with it--and with its wonderfully charming and
intelligent heroine, Elizabeth Bennet. And everyone is held fast
not only by the novel's romantic suspense but also by the
fascinations of the world we visit. The life of the English country
gentry at the turn of the nineteenth century is made as real to us
as our own, not only by the author's wit and feeling but by her
subtle observation of the way people behave in society and how we
are true or treacherous to each other and to ourselves.
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