“It was the happiest moment of my life, though I didn’t know
it.” So begins the new novel, his first since winning the Nobel
Prize, from the universally acclaimed author of Snow and My Name Is
Red.It is 1975, a perfect spring in Istanbul. Kemal, scion of one
of the city’s wealthiest families, is about to become engaged to
Sibel, daughter of another prominent family, when he encounters
Füsun, a beautiful shopgirl and a distant relation. Once the
long-lost cousins violate the code of virginity, a rift begins to
open between Kemal and the world of the Westernized Istanbul
bourgeosie—a world, as he lovingly describes it, with opulent
parties and clubs, society gossip, restaurant rituals, picnics, and
mansions on the Bosphorus, infused with the melancholy of
decay—until finally he breaks off his engagement to Sibel. But his
resolve comes too late.For eight years Kemal will find excuses to
visit another Istanbul, that of the impoverished backstreets where
Füsun, her heart now hardened, lives with her parents, and where
Kemal discovers the consolations of middle-class life at a dinner
table in front of the television. His obsessive love will also take
him to the demimonde of Istanbul film circles (where he promises to
make Füsun a star), a scene of seedy bars, run-down cheap hotels,
and small men with big dreams doomed to bitter failure.In his
feckless pursuit, Kemal becomes a compulsive collector of objects
that chronicle his lovelorn progress and his afflicted heart’s
reactions: anger and impatience, remorse and humiliation, deluded
hopes of recovery, and daydreams that transform Istanbul into a
cityscape of signs and specters of his beloved, from whom now he
can extract only meaningful glances and stolen kisses in cars,
movie houses, and shadowy corners of parks. A last change to
realize his dream will come to an awful end before Kemal discovers
that all he finally can possess, certainly and eternally, is the
museum he has created of his collection, this map of a society’s
manners and mores, and of one man’s broken heart.
A stirring exploration of the nature of
romantic attachment and of the mysterious allure of collecting, The
Museum of Innocence also plumbs the depths of an Istanbul half
Western and half traditional—its emergent modernity, its vast
cultural history. This is Orhan Pamuk’s greatest achievement.
|
商品评论(0条)