Too short to be a novel, too long to be a short story, the
novella is generally unrecognized by academics and publishers.
Nonetheless, it is a form beloved and practiced by literature's
greatest writers. In The ART OF THE NOVELLA series, Melville House
celebrates this renegade art form and its practitioners with titles
that are, in many instances, presented in book form for the first
time. Written on hotel stationary while in Europe on the run from
American creditors, soon after the death of a daughter, "The Man
That Corrupted Handleyburg "is often cited as a work of bitter
cynicism--a statement on America, to some, on the Dreyfus Case, to
others--created by a weary author at the end of his career. Another
appreciation, however, is that it is, simply, Mark Twain at his
best. The story of a mysterious stranger who orchestrates a fraud
embarrassing the hypocritical citizens of "incorruptible"
Hadleyburg. The novella is an exceptionally crafted work
intertwining a devious and suspenseful plot with some of the
wittiest dialogue Twain ever wrote. And like the most masterful
literature, it subverts any notion of easy conclusion: is
Hadleyburg ruined, or liberated? Is the mysterious stranger Satan,
or a hero? Is this a book of revenge, or redemption? One thing is
clear: This brilliant novella is a complex and compassionate
consideration of the human character by a master at the height of
his form.
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