From Library Journal
Oliver Twist was Dickens's second novel and one of his darkest,
dealing with burglary, kidnapping, child abuse, prostitution, and
murder. Alongside this gallery of horrors are the corrupt and
incompetent institutions of 19th-century England set up to address
social problems and instead making them worse. The author's moral
indignation drives the creation of some of his most memorably
grotesque characters: squirming, vile Fagin; brutal Bill Sykes; the
brooding, sickly Monks; and Bumble, the pompous and incorrigibly
dense beadle. Clearly, a reading of this work must carry the
author's passionate narrative voice while being flexible and broad
enough to define the wide range of character voices suggested by
the text. John Wells's capable but bland reading only suggests the
rich possibilities of the material. Restraint and Dickens simply
don't go together. The abridgment deftly and seamlessly manages to
deliver all major characters and plot lines, but there are many
superior audiobook versions of this material, both abridged and
unabridged. Not recommended.
-John Owen, Advanced Micro Devices, Sunnyvale, CA
Copyright 1999 Reed Business Information, Inc. --This text refers
to an out of print or unavailable edition of this title.
From AudioFile
This abridged version of the trials of Oliver Twist makes the
tale quite accessible to young listeners. Dick Cavett does an
excellent job of moving from his familiar, level voice in the
narrative passages to the true vibrancy of the dialogue. He handles
British accents of the more lowly characters quite well, his
characterization of Fagin being especially insidious and distinct.
Mr. Brownlow and Monks are less developed, and their
characterizations rely more on the text. The abridgment is quite a
feat, having reduced a tumultuous tale into a tight storyline.
However, some of the final sequences require more careful listening
to absorb plot developments. E.S.B. (c)AudioFile, Portland, Maine
--This text refers to an out of print or unavailable edition of
this title.
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