TO THE LIGHTHOUSE(ISBN=9780679405375)

From Publishers Weekly
Starred Review. It's wondrous to listen to a fine reading of a long-loved novel. Leishman makes masterly use of volume, timbre and resonance to distinguish between characters and draw us into the emotional swings and vibrations of the internal musings of each. She creates not a new but a more nuanced reading, following the interwoven streams of consciousness in a British English that lends authenticity to each voice. Leishman swims smoothly through Woolf's sentences that ebb and flow with numerous parenthetical thoughts and fresh images. These passages are interspersed with quick, sharp, simple sentences that gain strength in contrast. Leishman also draws our attention to Woolf's poetic prose: her rhythms and images, her use of hard consonants in monosyllabic words in counterpoint to long, soft, dreamy words and phrases. To The Lighthouse plays back and forth between telescopic and microscopic views of nature and human nature. Mrs. Ramsey is both trapped in and pleased in her roles as wife, mother and hostess. The introspective Mr. Ramsey is consumed with his legacy of long-since-published abst philosophy. This is a book that cannot be read—or heard—too often. (Jan.) --Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Audio CD edition.

Novel by Virginia Woolf, published in 1927. The work is one of her most successful and accessible experiments in the stream-of-consciousness style. The three sections of the book take place between 1910 and 1920 and revolve around various members of the Ramsay family during visits to their summer residence on the Isle of Skye in Scotland. A central motif of the novel is the conflict between the feminine and masculine principles at work in the universe. With her emotional, poetical frame of mind, Mrs. Ramsay represents the female principle, while Mr. Ramsay, a self-centered philosopher, expresses the male principle in his rational point of view. Both are flawed by their limited perspectives. A painter and friend of the family, Lily Briscoe, is Woolf's vision of the androgynous artist who personifies the ideal blending of male and female qualities. Her successful completion of a painting that she has been working on since the beginning of the novel is symbolic of this unification. -- The Merriam-Webster Encyclopedia of Literature --This text refers to an out of print or unavailable edition of this title.

“To the Lighthouse is one of the greatest elegies in the
English language, a book which transcends time.” –Margaret Drabble

“Without question one of the two or three finest novels of the twentieth century. Woolf comments on the most pressing dramas of our human predicament: war, mortality, family, love. If you’re like me you’ll come back to this book often, always astounded, always moved, always refreshed.” –Rick Moody

“[Woolf’s] people are astoundingly real…The tragic futility, the absurdity, the pathetic beauty, of life–we experience all of this in our sharing of seven hours of Mrs. Ramsay’s wasted or not wasted existence.
We have seen, through her, the world.” –Conrad Aiken-- the Hardcover edition.

(Book Jacket Status: Jacketed) Though its fame as an icon of twentieth-century literature rests primarily on the brilliance of its narrative technique and the impressionistic beauty of its prose, "To the Lighthouse "is above all the story of a quest, and as such it possesses a brave and magical universality. Observed across the years at their vacation house facing the gales of the North Atlantic, Mrs. Ramsay and her family seek to recapture meaning from the flux of things and the passage of time. Though it is the death of Mrs. Ramsay on which the novel turns, her presence pervades every page in a poetic evocation of loss and memory that is also a celebration of domestic life and its most intimate details. Virginia Woolf's great book enacts a powerful allegory of the creative consciousness and its momentary triumphs over fleeting material life.

Virginia Woolf (1882-1941) is now recognised as a major 20th century author, a great novelist and essayist, and a key figure in literary history as a feminist and modernist.

Bibliographical Note
Introduction
Further Reading
A Note on the Text
To THE LIGHTHOUSE
Notes
Appendix Ⅰ
Appendix Ⅱ