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作 者：Aravind Adiga 著
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编辑推荐From Publishers WeeklyStarred Review. A brutal view of India's class struggles is cunningly presented in Adiga's debut about a racist, homicidal chauffer. Balram Halwai is from the Darkness, born where India's downtrodden and unlucky are destined to rot. Balram manages to escape his village and move to Delhi after being hired as a driver for a rich landlord. Telling his story in retrospect, the novel is a piecemeal correspondence from Balram to the premier of China, who is expected to visit India and whom Balram believes could learn a lesson or two about India's entrepreneurial underbelly. Adiga's existential and crude prose animates the battle between India's wealthy and poor as Balram suffers degrading treatment at the hands of his employers (or, more appropriately, masters). His personal fortunes and luck improve dramatically after he kills his boss and decamps for Bangalore. Balram is a clever and resourceful narrator with a witty and sarcastic edge that endears him to readers, even as he rails about corruption, allows himself to be defiled by his bosses, spews coarse invective and eventually profits from moral ambiguity and outright criminality. It's the perfect antidote to lyrical India. (Apr.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From The New Yorker In this darkly comic début novel set in India, Balram, a chauffeur, murders his employer, justifying his crime as the act of a "social entrepreneur." In a series of letters to the Premier of China, in anticipation of the leader’s upcoming visit to Balram’s homeland, the chauffeur recounts his transformation from an honest, hardworking boy growing up in "the Darkness"—those areas of rural India where education and electricity are equally scarce, and where villagers banter about local elections "like eunuchs discussing the Kama Sutra"—to a determined killer. He places the blame for his rage squarely on the avarice of the Indian élite, among whom bribes are commonplace, and who perpetuate a system in which many are sacrificed to the whims of a few. Adiga’s message isn’t subtle or novel, but Balram’s appealingly sardonic voice and acute observations of the social order are both winning and unsettling. Copyright ©2008 Review [Audio Review] Debut author Aravind Adiga offers this revealing and truthful look at class struggle in modern-day India as seen through the eyes of chauffeur Balram Halwai. Halwai escapes a brutal existence in rural India only to end up murdering his rich employer in Delhi. The novel is told, in part, as a correspondence between Halwai and the premier of China, for whom the driver believes he holds valuable insights. Narrator John Lee reads with an accurate East Indian accent that will astound listeners searching for his normally stern British tone. Lee captures Halwai and his imperfect world perfectly, relating Adiga's views with a raw honesty. Lee puts his own twist on the work but never disowns Adiga's story rather, he welcomes it with open arms. Lee is the quintessential narrator. AudioFile Earphones Award winner, July 2008. --AudioFile [Starred Review Audio Edition] First-time author Adiga has created a memorable tale of one taxi driver's hellish experience in modern India. Told with close attention to detail, whether it be the vivid portrait of India he paints or the transformation of Balram Halwai into a bloodthirsty murderer, Adiga writes like a seasoned professional. John Lee delivers an absolutely stunning performance, reading with a realistic and unforced East Indian dialect. He brings the story to life, reading with passion and respect for Adiga's prose. Lee currently sits at the top of the professional narrator's ladder; an actor so gifted both in his delivery and expansive palette of vocal abilities that he makes it sound easy. A Free Press hardcover (Reviews, Jan. 14). (May) --Publisher's Weekly --This text refers to the Audio CD edition. Review "Compelling, angry, and darkly humorous, The White Tiger is an unexpected journey into a new India. Aravind Adiga is a talent to watch." -- Mohsin Hamid, author of The Reluctant Fundamentalist "An exhilarating, side-splitting account of India today, as well as an eloquent howl at her many injustices. Adiga enters the literary scene resplendent in battle dress and ready to conquer. Let us bow to him." -- Gary Shteyngart, author of Absurdistan and The Russian Debutante's Handbook "The perfect antidote to lyrical India." - Publishers Weekly "This fast-moving novel, set in India, is being sold as a corrective to the glib, dreamy exoticism Western readers often get...If these are the hands that built India, their grandkids really are going to kick America's ass...BUY IT." - New York Magazine "Darkly comic...Balram's appealingly sardonic voice and acute observations of the social order are both winning and unsettling."- The New Yorker "Aravind Adiga's The White Tiger is one of the most powerful books I've read in decades. No hyperbole. This debut novel from an Indian journalist living in Mumbai hit me like a kick to the head -- the same effect Richard Wright's Native Son and Ralph Ellison's Invisible Man had. - USA Today "This is the authentic voice of the Third World, like you've never heard it before. Adiga is a global Gorky, a modern Kipling who grew up, and grew up mad. The future of the novel lies here." - John Burdett, author of Bangkok 8 "Fierce and funny...A satire as sharp as it gets." - Michael Upchurch, The Seattle Times "There is a new Muse stalking global narrative: brown, angry, hilarious, half-educated, rustic-urban, iconoclastic, paan-spitting, word-smithing--and in the case of Aravind Adiga she hails from a town called Laxmangarh. This is the authentic voice of the Third World, like you've never heard it before. Adiga is a global Gorky, a modern Kipling who grew up, and grew up mad. The future of the novel lies here." - John Burdett, author of Bangkok 8 "The White Tiger echoes masterpieces of resistance and oppression (both The Jungle and Native Son come to mind) [and] contains passages of startling beauty." - Lee Thomas, San Francisco Chronicle |
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