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Review '... condenses the current state of knowledge on various topics and the fruits of very recent research, some of it original and some of it now made available for the first time in English.' The Handel Institute Newsletter '... both scholarly yet eminently readable and, as such, it s a book that will undoubtedly have wide appeal to both musical scholars and the ordinary music lover ... it places its subject firmly in historical context and gives us many (otherwise all too rare) glimpses into the mind of one of the truly great composers'. Scenario Review ‘… condenses the current state of knowledge on various topics and the fruits of very recent research, some of it original and some of it now made available for the first time in English.’ The Handel Institute Newsletter ‘… both scholarly yet eminently readable and, as such, it s a book that will undoubtedly have wide appeal to both musical scholars and the ordinary music lover … it places its subject firmly in historical context and gives us many (otherwise all too rare) glimpses into the mind of one of the truly great composers’. Scenario Product Description Handel is recognised as one of the principal creative figures in Baroque music. In this Companion acknowledged experts on Handel make their expertise accessible to the interested general reader and music lover. All the genres in which Handel composed are considered including oratorio, chamber cantata, opera, and church music, as well as works for the keyboard and orchestra. The wide-ranging, specially-commissioned essays cover topics from Handel’s composing methods to his treatment of the Italian language and matters of performance practice. The background to Handel’s musical career is a major theme of the volume. The opening chapters deal with his musical education in Germany and the circumstances in Italy during his time there. Most of Handel’s career was based in London and important topics here include contemporary concert life and theatre management, the British and Italian musicians among whom he worked, and the librettists for the English oratorios. |
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