list of tableslist of figuresabbreviationschater i introduction 1.1 terminology 1.2 motivation of the research 1.3 objectives of the research 1.4 layout of the bookchater 2 literature review of relevant research 2.1 synaesthesia and literature 2.1.1 synaesthesia in western literature 2.1.2 synacsthesia in chinese literature 2.2 synaesthesia and linguistics 2.2.1 synaesthesia and rhetoric 2.2.2 synacsthesia and semantics 2.2.3 comarative and contrastive studies of synaesthesia 2.3 synaesthesia, sychology, and cognition 2.3.1 synaesthesia and sychology 2.3.2 synaesthesia and cognitive theories 2.4 summarychater 3 theoretical framework of the study 3.1 historical ersectives of the relationshi between concetion and ercetion 3.1.1 two basic orientations concerning the origin ofknowledge--rationalism and emiricism 3.1.2 the relude of rationalism and emiricism in there-socrates stage 3.1.3 the formation of rationalism and emiricism in classicgreek hilosohy 3.2 the kantian account of concetion and ercetion--"thecritique hilosohy" 3.2.1 the background of the kantian hilosohy 3.2.2 ercetion conforming to concetion--"critique of urereason". 3.2.3 a transcendental link between concetion andercetion---schema 3.3 an embodied account of concetion andercetion--the"embodied hilosohy" 3.3.1 the embodied realism 3.3.2 the embodiment of human reason 3.3.3 an embodied link between concetion andercetion--image schema 3.4 summarychater 4 research methodology and results 4.1 research methodology 4.1.1 research questions 4.1.2 materials 4.1.3 research design 4.1.4 rocedures 4.2 research results 4.2.1 statistics 4.2.2 general descritionschater 5 synaesthetie metahors in english and chinese: cognitivesimilarities 5.1 redominant source and target 5.1.1 redominant source 5.1.2 redominant target 5.2 redominant tye 5.2.1 hearing-targeting tyes 5.2.2 vision-targeting tyes 5.3 redominant direction 5.4 summarychater 6 synaesthetic metahors in english and chinese: cultural differences 6.1 the diversity of synaesthetic metahors in english and chinese 6.1.1 cultural difference in synaesthetic sensation 6.1.2 cultural difference in synaestheticity 6.2 aesthetic reference 6.2.1 richness versus lightness 6.2.2 aesthetic reference in the western culture 6.2.3 aesthetic reference in the chinese culture 6.3 hilosohical root 6.3.1 troth versus nature 6.3.2 hilosohical tradition in the western culture 6.3.3 hilosohical tradition in the chinese culture 6.4 summarychater 7 general discussion 7.1 on the cognitive mechanism of synaesthesia 7.1.1 schema-based synaesthesia 7.1.2 affection-based synaesthesia 7.1.3 concurrence-based synaesthesia 7.1.4 interim summary 7.2 on the hilosohical significance of synaesthesia 7.2.1 the cognitive role of synaesthetic metahors 7.2.2 the eistemological imlication of synaestheticmetahors 7.3 on the methodology of synaesthetic studies 7.4 summarychater 8 contusion and imfications 8.1 summary of major findings 8.1.1 answers to research question 1 8.1.2 answers to research question 2 8.1.3 answers to research question 3 8.2 imlications 8.2.1 linguistic imlications 8.2.2 hilosohical imlications 8.3 limitations and recommendations 8.3.1 limitations of the resent research 8.3.2 recommendations for future researchesreferencesaendicesaendix ⅰ: samle english entries of synaesthesiaaendix ⅱ: samle chinese entries of synaesthesia
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