Amazon.com Review
"'No, I don't believe in ghosts, but I'm afraid of them,' is much
more than the cheap paradox it seems to many. To 'believe,' in that
sense, is a conscious act of the intellect, and it is in the warm
darkness of the prenatal fluid far below our conscious reason that
the faculty dwells with which we apprehend ghosts." Edith Wharton,
known for her keen observations of an emotionally stifling
upper-class social world, was so afraid of ghosts that for many
years she couldn't even sleep in a room with a book containing a
ghost story. As horror scholar Jack Sullivan writes, "It is this
sharply felt sensation of supernatural dread filtered through a
skeptical sensibility that made Wharton a master of the ghost
story." This collection contains 11 of her elegant, chilling tales,
including "Afterword," "The Triumph of Night," and "Pomegranate
Seed," plus Wharton's 1937 preface and an autobiographical
postscript. --This text refers to an out of print or unavailable
edition of this title.
Product Description
This book is selected & introduced by David Stuart Davies.
Traumatised by ghost stories in her youth, Pulitzer Prize winning
author Edith Wharton (1862 -1937) channelled her fear and obsession
into creating a series of spine-tingling tales filled with spirits
beyond the grave and other supernatural phenomena. While claiming
not to believe in ghosts, paradoxically she did confess that she
was frightened of them. Wharton imbues this potent irrational and
imaginative fear into her ghostly fiction to great effect. In this
unique collection of finely wrought tales Wharton demonstrates her
mastery of the ghost story genre. Amongst the many supernatural
treats within these pages you will encounter a married farmer
bewitched by a dead girl; a ghostly bell which saves a woman's
reputation; the weird spectral eyes which terrorise the midnight
hours of an elderly aesthete; the haunted man who receives letters
from his dead wife; and the frightening power of a doppelganger
which foreshadows a terrible tragedy. Compelling, rich and strange,
the ghost stories of Edith Wharton, like vintage wine, have matured
and grown more potent with the passing years.
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