Discursive and ruminative, more like an extended essay than a
novel, the intricately structured chapters in this highly
autobiographical book reveal "the writer defined by his . . . ways
of seeing." Naipaul, in his own person, narrates a series of
events, beginning during a period of soul-healing in Wiltshire,
circling back to the day of his departure from Trinidad in 1950
when he was 18, describing his time in London before he went up to
Oxford, moving back to Trinidad after his sister's death: these
journeys are a metaphor for his life. With beautiful use of detail
recaptured from an extraordinary memory, with exquisitely nuanced
observations of the natural world and his own interior landscape,
he shows how experience is transmogrified after much incertitude
and paininto literature. This is a melancholy book, the testament
of a man who has stoically willed himself to endure disappointment,
alienation, change and grief. Naipaul lays bare the loneliness,
vulnerability and anxieties of his life, the sensibility that is
both an asset for the writer and a burden for the man. He
demonstrates this brilliantly by describing other peoplemainly his
neighbors in a village near Stonehenge. Using these characters as
catalysts, Naipaul peels back protective layers of memory, sparing
himself nothing, revealing the mistakes and inadequacies of his
life. The drama resides in small incidents: the death of a
cottager, the firing of an estate's gardener; with each account,
the narrative is spun more tightly into a seamless tapestry, a
powerful document by a master of his craft. Readers Subscription
Book Club main selection.
Copyright 1987 Reed Business Information, Inc. --This text refers
to an out of print or unavailable edition of this title.
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