I love McDermid's work, the entire body of work, that is.
There's the Kate Brannigan series, the great Tony Hill/Carol Jordan
series, the Lindsay Gordon series, and if you haven't yet read them
you should. There are some wonderful stand-alones like The Grave
Tattoo.
And there's this newest one, A Trick of the Dark. For some
reason, this novel harked back to the old crime novels of Josephine
Tey and Dorothy L. Sayers for me, and I can't decide quite why that
is. Maybe the academic setting? Maybe the use of red herrings?
What I really greatly enjoyed about this novel was the ambiguous
nature of each of the characters in it. No one comes off the hero,
most are closer to being the goat. I think it is a major
achievement and a demonstration of skill to have a protagonist who
is slightly disturbing, as I found this one to be.
It is hardly a great lesson that no one is either all good or
all bad, but it is certainly rare in fiction to find characters so
precarioulsy balanced between good and evil. Unsettling in a murder
mystery, when one expects a heroic crime solver and a
black-as-night villain.
I thoroughly appreciated the urge to get out the tweeds and
sturdy walking shoes for a spot of detection.
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