| Acknowledgments; Introduction; 1. For A Critique of Philosophy; Introduction; 1.1. The Lesson of Althusser; 1.2. The Lessons of May; 1.3. Lessons From the Archives; 1.4. Lessons on Philosopher-Kings; 1.5. Lessons From Equality; Conclusion; 2. Politics By Process of Elimination; Introduction; 2.1. On the Terrain of Policed Consensus; 2.2. The Aesthetics of Counting; 2.3. Supposing, Verifying, and Demonstrating Equality; 2.4. Disputing Subjects and Litigious Objects: Politics as Dissensus; 2.5. The Subjective Process of Politics; Conclusion; 3. Retrieving the Politics of Aesthetics; Introduction; 3.1. Analyzing the Part of Art; 3.2. Three Regimes of Art; 3.3. Equality in Art; 3.4. In Place of Modernity; 3.5. Against Postmodernity; 3.6. Art as Dissensus; Conclusion; 4. Regimes of Cinema; Introduction; 4.1. A Historical Poetics of Cinema; 4.2. Cinema, the Dream of the Aesthetic Age; 4.3. The Logic of the Thwarted Fable; 4.4. Allegories of Modernity: Deleuze and the Use of Hitchcock; 4.5. Cinema and Its Century: Godard and the Abuse of Hitchcock; Conclusion; 5. Beyond Ranciere; Introduction; 5.1. Sensing Equality?; 5.2. The Centrality of the Imagination; 5.3. Inventing the Trans-Subjective Imagination; Conclusion; Notes; Bibliography; Index. |
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