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The Chairs are Where the People Go: How to Live, Work, and Play in the City

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The Chairs are Where the People Go: How to Live, Work, and Play in the City

最 低 价:¥78.10

定 价:¥91.88

作 者:Misha Glouberman

出 版 社:

出版时间:2011年7月25日

I S B N:9780865479456

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"A triumph of what might be called conversational philosophy . . . The world is better for these humane and hilarious essays." --"The New Yorker"

"[A] glorious collection of essays . . . deeply hip and also endearing . . . The general message is collaboration amid density, hilarity despite and with all due respect for (some of) the rules." --Susan Salter Reynolds, "The Los Angeles Times"

"These plainspoken, idiosyncratic essays . . . coalesce cozily around the patient, earnest, well-intentioned voice of the speaker. . . The platitudes are self-explanatory, but prove so understated as to be frequently hilarious . . . overall, he dispenses the nondidactic wisdom of an avuncular sage." --"Publishers Weekly"

"The title of this offbeat guide by Canadian improvisation instructor Glouberman is somewhat of a misnomer, as the 72 short chapters actually contain the author's thoughts and opinions about life in general. For instance, he explains why computers last only three years and why wearing a suit is a good way to quit smoking. Glouberman reduces many aspects of socialization to game playing, and advises the reader how to be good at charades, for instance, or how to fight in gibberish. The book is surprisingly entertaining and offers enjoyable browsing." --"Library Journal"

"A bounty of short, sound advice and commentary from a Canadian improvisational-theatre instructor . . . Transcribing the author's words verbatim produces fresh, pithy perspectives on a wide range of diverse subjects, issues, pleasures and irritants." --"Kirkus Reviews"

"If you're searching for a gift for that student who is ending her academic career or about to take a job in a strange new city, you could do worse than this modest, idiosyncratic version of an urban survival manual . . . Glouberman is consistently reasonable, self-effacing and creative as he poses at least tentative solutions to these dilemmas, while discoursing on thornier and more abstract subjects, like w

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