THE INTERPRETATION OF MURDER is probably the most hyped thriller of the year. This debut novel, which takes place in New York during the summer of 1909, promises an exciting murder mystery where the legendary Dr. Sigmund Freud tries to track down a killer of a young society woman.
As a thriller, I must admit this novel really disappointed me. Freud is not a central character in this book at all. Instead, this novel features a large number of characters, and author Jed Rubenfeld keeps shifting the focus from one character to another. As a result, none of the characters are fully developed and many of them end up as slightly cartoonish.
In particular, I was heavily displeased with how Dr. Carl Jung was portrayed in this novel. Rubenfeld portrays Jung as a thoroughly unlikable person, a borderline psychopath with virtually no redeemable qualities whatsoever. Freud, by contrast, is portrayed as a virtual saint. Although I am not an expert on either man, I seriously doubt that these are fair and accurate portrayals of what these men were really like.
In the end, the large number of one-dimensional characters made this novel a somewhat sterile experience. I did not find this book the least bit emotionally engaging, which is a fatal problem for any thriller. In order to be thrilled by a book, I have to care for the people inside it. That did not happen with THE INTERPRETATION OF MURDER.
I was also highly disappointed by the ending of this novel, when Rubenfeld reveals who the murderer is, and how the crime was committed. This is, quite simply, one of the most convoluted and unbelievable explanations for a crime that I have ever read. This book has an abnormally large number of plot twists at the end, but none of them were the least bit credible.
This book is further burdened by numerous subplots that do little to advance the story, most notably a rather dull subplot invovling a conspiracy to block Freud's lectures at Clark University. This subplot, which Rubenfeld openly admits has no basis in historical fact, has a remarkably anti-climactic ending. I wish this subplot had been eliminated, since it only serves to distract the reader from the much more interesting murder mystery.
So why read this book? First of all, Rubenfeld does an excellent job of recreating Manhattan in the year 1909. He obviously did a great deal of research for this book, and it shows on almost every page. I enjoy historical novels, and I found the level of historical detail in this book to be very impressive. I really felt like I transported to another place, and I thoroughly enjoyed the trip.
Second, this novel also serves as a very interesting introduction to the theories of Sigmund Freud. I have never studied psychology in depth. Despite this fact, I thought Rubenfeld did a good job making Freud's ideas understandable, largely through a series of dialogues between Freud and other characters. This novel made me more interested in Freud and his psychology, which I'm sure was Rubenfeld's intention.
In short, this book largely flops as a thriller. But I thought it was a decent historical novel, with a lot of material to stimulate the intellect. Rubenfeld deserves credit for writing something this ambitious, although he does not completely succeed. I therefore give this novel a mild recommendation. |
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