| PrefaceAcknowledgementsDissertation SummaryChapter One Introduction1. New Chinese Film: The Inadequacy of Labels in Describing the New Film Practices in China2. Matpping Contemoorarv Chinese Film3. Discursive ParametersChapter Two Identifying Docu-realism in Terms of History,Philosophy and Aesthetics1. Historically: Inside and Outside China2. Philosophically: The Redemption of Physical Reality3. Aesthetic PrinciplesChapter Three Zhang Yuan: A Breakthrough in Presenting Reality —— Escape from the Encirclement of Melo-realism1. Zhang Yuan and New Approaches to Reality2. Sons Cin6ma-v6rit6 Cinema-direct3. Seventeen Years and the New Documentary MovementChapter Four Jia Zhangke: Distinguishing Nostalgia from the Fifth Generation's Exoticism1. Xiaowu: The Common Man's Consciousness and the Popular Perspective2. Platform: Loose Narration and De-dramatization3. Unknown Pleasure: Redemption of Real Life Through SoundChapter Five Wang Xiaoshuai, Wang Chao, Lu Xuechang, Zhang Ming: Constructing Docu-realist Aesthetics in Film Construction1. Shot·Deep focus · Mise-en-scene2. Colour- Light· Physical Reality3. Editing·Montage· Long-takeConclusionAppendix Main Docu-realist Film Directors and Their WorksBibliographyGlossary |
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