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诗化哲学:T·S·艾略特研究

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诗化哲学:T·S·艾略特研究

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作 者:江玉娇

出 版 社:复旦大学出版社

出版时间:2010 年5月

I S B N:9787309072594

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《诗化哲学:T·S·艾略特研究》主要探讨艾略特(1888—1965)的“秩序理论”,如何从哲学领域转化、运用、实践到其诗学、宗教、文化、社会与创作之中,构成一个密不可分的整体。“秩序理论”是T·S·艾略特众多理论中的一个极其复杂、极其矛盾的核心学说之一,它是理解艾略特的哲学思想、宗教思想、诗学理论和创作活动的重要线索。对各种“秩序”的探讨贯穿了这位“诗人哲学家”的一生:从孩提时候的“神秘幻觉”;“结束小姐与开始先生结婚”;“上先生与下小姐私奔”(Ackroyd22),到年老时的“上升的路就是下降的路,向前的路就是向后的路”;“开始就是结束,结束就是开始”(CP“Four Quartets”189,210,221)。但一系列有关秩序理论的正式出现是在艾略特的博士论文《认知与经验:布莱德利的哲学研究》(1911—1916年完成,1964年出版)中,后来完善于他的诗学和戏剧理论中,并在他的创作中得以印证和实践。艾略特的秩序理论既是一种形而上的哲学与宗教的探讨,也是一个诗学和创作的具体实践过程。艾略特一生在“思”与“诗”之间的不断求索中艰难地摸索着,从哲学秩序到诗学秩序,从宗教秩序到伦理道德秩序,从文化秩序到社会秩序,从世俗秩序到非世俗秩序,最终找到了一个包罗万象的“宇宙秩序”。
  

作者简介

江玉娇,湖南茶陵人,英语语言文学博士,浙江师范大学外国语学院教授、人文学院比较文学与世界文学方向兼职教授。主要从事英美文学和中西比较诗学教学与研究,更热衷于对英国现代派诗人T·S·艾略特诗歌及其文学批评理论的探讨,上持省厅级相关课题:项。目前上持浙江省教育科学重点规划课题:“文学教育在《综合英语》教改中‘缺失’研究”以及教育部人文社科规划课题:“中西诗学中的‘共象’与‘异象’研究”在《外国文学评论》、《国外文学》、《国外理论动态》、《外语与外语教学》等期刊杂志上发表论文20余.. << 查看详细

目录

acknowledgements
abstract ( chinese )
chapter one introduction
1. the importance of the pracfcing of theories
2. eliot's social position as a philosopher
3. eliot's philosophical research projects
4. the necessity of the research in eliot's theory of order
5. a brief introduction to this study
chapter two eliot's order from the philosophical perspective
1. epistemological point of view
1.1 a dialogue between objectivity and subjectivity
1.1.1 feeling connecting subjectivity with objectivity
1.1.2 impression's connecting subjectivity with objectivity
1.1.3 the finite center connecting subjectivity with objectivity
1.2 a dialogue between "inner" and "outer"
1.3 a dialogue between reality and ideality
1.4 a dialogue between past and future
2. methodological point of view
2.1 a dialogue between impersonality and personality
2.1.1 a dialogue between eliot and personality
.2.1.2 mind connecting personality with impersonality
2.1.3 collective-historical unconscious connecting personality with impersonality
2.1.4 a dialogue between eliot's own personal emotions and poetic experience
2.2 a dialogue between rationality and irrationality
2.3 a dialogue between criticism and aesthetics
2.4 a dialogue between classicism and romanticism
chapter three eliot's order from the poetic perspective
1. linguistic point of view
1.1 a dialogue between concrete words and abstract ideas
1.2 a dialogue between words and meanings
2. psychological point of view
2.1 a dialogue between words and objects
2.2 a dialogue between objects and sensation
2.3 a dialogue between sensibility and intelligence
chapter four eliot's order from the cultural perspective
1. religious point of view
1.1 a dialogue between mysticism and scepticism
1.2 a dialogue between philosophy and religion
1.3 a dialogue between god and man
1.4 a dialogue between man and nature
1.5 a dialogue between religious pluralism and salvation
1.6 a dialogue between fire and soul
1.7 a dialogue between birth and death
2. ethical point of view
2.1 a dialogue between poetry and wisdom
2.2 a dialogue between philosophy and wisdom
2.3 a dialogue between religion and wisdom
3. cultural point of view
3.1 a dialogue between tradition and time
3.2 a dialogue between tradition and language
3.3 a dialogue between objectivity and tradition
3.4 a dialogue between literature and tradition
3.5 a dialogue between religion and culture
3.6 a dialogue between culture and tradition
chapter five eliot's order from the sociological perspective
1. a dialogue between individual and community
2. a dialogue between self and the universe
3. a dialogue between religion and society
4. a dialogue between culture and society
5. a dialogue between primitive rituals and modem society
chapter six conclusion
1. a dialogue between the rose-garden and the garden of eden
2. a dialogue between eliot and order
works cited
1. t.s. eliot's works cited
2. eliot's papers cited
3. the other writers' works cited
index

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