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The Madonnas of Leningrad: A Novel

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The Madonnas of Leningrad: A Novel

最 低 价:¥80.00

定 价:¥98.00

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出 版 社:

出版时间:2007年2月20日

I S B N:9780060825317

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80.00元

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Daily Telegraph
'Dean shows the consoling and invigorating power of art.' --This text refers to the Paperback edition.

Financial Times
'Dean has moments of brilliance...a pretty impressive debut.' --This text refers to the Paperback edition.

SHE
'A beautifully painted debut that has 'book group' and 'Anthony Minghella' written all over it.' --This text refers to an out of print or unavailable edition of this title.

Waterstones Books Quarterly
'Every once in a while a new book comes along with the power to halt you in your tracks...' --This text refers to an out of print or unavailable edition of this title.

Observer
'A taut and boldly unsentimental tale, Dean’s glistening debut plumbs the twin mysteries of memory and the imagination.' --This text refers to an out of print or unavailable edition of this title.

Guardian
'...[Dean] has brought the siege of Leningrad to dramatic, desperate life...a richly rewarding experience for the reader...' --This text refers to an out of print or unavailable edition of this title.

Glasgow Herald
'A seamless, beautifully crafted tribune to the emotional potency of memory.' --This text refers to an out of print or unavailable edition of this title.

Time Out
'A remarkable story.' --This text refers to an out of print or unavailable edition of this title.


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内容简介

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Bit by bit, the ravages of age are eroding Marina's grip on the everyday. An elderly Russian woman now living in America, she cannot hold on to fresh memories—the details of her grown children's lives, the approaching wedding of her grandchild—yet her distant past is miraculously preserved in her mind's eye.

Vivid images of her youth in war-torn Leningrad arise unbidden, carrying her back to the terrible fall of 1941, when she was a tour guide at the Hermitage Museum and the German army's approach signaled the beginning of what would be a long, torturous siege on the city. As the people braved starvation, bitter cold, and a relentless German onslaught, Marina joined other staff members in removing the museum's priceless masterpieces for safekeeping, leaving the frames hanging empty on the walls to symbolize the artworks' eventual return. As the Luftwaffe's bombs pounded the proud, stricken city, Marina built a personal Hermitage in her mind—a refuge that would stay buried deep within her, until she needed it once more. . . .

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