
| 一个时代伟大艺术的兴起,不仅来源于个人天才的想象力和行动,也来源于体制的推动和创造力。从某种意义上说,艺术作品在个人完成以后需要体制赋予其社会和历史价值。中国的当代艺术在90年代末取得了长足的进步,而作为体制方面的画廊、经纪人、私立美术馆、基金会体制都没有建立起来,上河美术馆开此先河。 |
| 馆长致辞Upriver Gallery speech delivered by the director 美术馆综述An Introduction of Upriver Gallery 上河美术馆大事记Chronicle of Events of Upriver Gallery 上河美术馆展馆简介The Archiectrue of Upriver Gallery 上河美术馆艺术委员会Introduction to Artistic Committee of Upriver Gallery 上河美术馆主要展览及策展人介绍Introduction of Major Exhibitions and Planners 上河美术馆首届收藏展Upriver Gallery First Collection Exhibition 阿尔弗雷德尔德里卡创作展Alfred Hrdlicka 1998 China 上河美术馆'99学术邀请展'99 Academic Exhibition Upriver Gallery 克洛德维尔拉个展——“重复”Claude Viallat-Repetition 西班牙百年经典版画展A Century Of Spanish Engraving 美国德克萨斯艺术家三人展Three Artists From Texas,USA 张奇开个展——从东京到柏林One-man Show By Zhang Qikai 社会:上河美术馆第二届学术邀请展Society-The 2nd Academic Exhibition Upriver Gallery 转世时代——2000中国当代艺术展Time of Reviving-Exhibition of contempotary Chinese Art in 2000 上河美术馆藏品选登Selected works collected by Upriver Gallery |
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