| part3 getting into drama chapter 25 profile of a playwright-david lves frolics ln lvesland plot and form characterization and theme setting and staging readings sure thing the philadelphia talking lit david ives,preface to all in the timing stephanie coen，no comparisons：an interview with the playwright david ives，some origins 1 044 student essay adam marchbein．from the mind of david ives 1 046 questions to ask about drama chapter 26 plot and form the lmportance of piot the shape of a conventionai plot individualizing the structure of plot . conflict in the dramatic plot a final note on plot and conflict readings wiliam shakespeare,othello,the moor of venice august wilson,fences talking lit giovanni battista giraldi cinthio,from gli hecatommithi david savran,an interview with august wilson student essay chapter 27 characterization and theme characterization in drama what is modern drama？ how theme is revealed other aspects of characterization reading henrik ibsen,a doll’s house talking lit halvdan koht,from“women and society：a doll’s house” frederick j．marker and lise—lone marker，“one nora，many noras,” from ibsen’s lively art j0hn galsworthy,“some platitudes concerning drama”，from the innof tranquility student essay jacqueline derosa，a lark flies：understanding nora’s decision to leave a doll house chapter 28 setting and staging physical setting historicai setting sociai setting staging--realistic and fantastic reading arthur miller,death of a salesman talking lit chapter 29 myth and drama chapter 30 cutting edges：grassroots theater chapter 31 a bookshelf of plays part 4 getting into writing and research chapter 32 talking and writing about lit chapter 33 sources for researching lit chapter 34 access to lit crit：pathways to interpretation |
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