| 作为一部美国戏剧研究的经典著作，本书结合20世纪后半叶美国精神文化领域的发展变化，对半个多世纪以来的美国戏剧发展进行了广泛深入的研究，对尤金·奥尼尔、田纳西·威廉斯、阿瑟·米勒等主要戏剧作家及其作品作了详细深刻的分析，对非主流戏剧和新近涌现的戏剧新星给予了独到精辟的评述。 |
| CHRISTOPHER BIGSBY is Professor of American Studies at the University of East Anglia and has published more than twenty-five books covering American theatre, popular culture and British drama, including A Critical Introduction to Twentieth-Century American Drama and Contemporary American Playwrights. He is co-editor, with Don Wilmeth, of The Cambridge History of American Theatre. He is also an awardwinning novelist and regular radio and television broadcaster. |
| Preface to First Edition Preface to Second Edition 1 The absent voice: American drama and the critic 2 Eugene O'Neill's Endgame 3 Tennessee Williams: the theatricalising self 4 Arthur Miller: the moral imperative 5 Edward Albee: journey to apocalypse 6 A Broadway interlude 7 Sam Shepard: imagining America 8 David Mamet: all true stories 9 The performing self 10 Redefining the centre: politics, race, gender 11 Beyond Broadway Notes Index |
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