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Bitch: In Praise of Difficult Women

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Bitch: In Praise of Difficult Women

最 低 价:¥18.20

定 价:¥160.00

作 者:Elizabeth Wurtzel

出 版 社:Anchor

出版时间:1999-05-18

I S B N:9780385484015

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18.20元

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...listening to her is neither an empowering nor a liberating experience. Her self-imposed intellectual isolation, her rhetorical slashings at other women, her illogical and manic arguments, her bellowing of "facts" that are either self-evident or wrong, her dismissive rehearsals of ideas she seems barely to have understood in the first place: These struttings and preenings suggest that she prefers her audience prone, passive and awestruck. -- The Nation, Stacey D'ErasmoIn Wurtzel's view, feminism is guilty at best of misinterpreting and at worst of condemning what women with outsize desires represent, and so diminishing the full range of female prospects. But that is hardly Wurtzel's only gripe against feminism. As a type, the bitch is more than a free sexual spirit; she is emotionally vulnerable in a way that feminism specifically deprecates and disallows. Wurtzel's catalogue of complaints against feminism includes another, quite novel and revealing, charge. Two of her bitch heroines are the poets Anne Sexton and Sylvia Plath, both of whom committed suicide. These two, she writes, "had the force and talent and beauty to turn their emotional disasters and hysteria into ... art." But now feminism, by "politicizing [female] depression"--that is, by defining depression strictly as a function of the unequal power relations between men and women--has radically impoverished the possibilities of such feminine self-expression. In turning to popular culture for images of glamor and significance, Wurtzel finds women who can also be, however absurdly or meretriciously, vehicles for the expression of emotion. In this they do indeed have a wholly feminine significance--and not just for her--that is nowhere to be found in the contemporary landscape, a landscape marked by the continuing failure of feminism to shape women in its image. -- Commentary, Margaret SchulmanThe prose, seemingly untouched by editors, is windy, incessantly self-referential, and packed with show-offy references.... It's also an extraordinarily thought-provoking, absorbing, wise, often poignant read. You can disagree with Wurtzel, but at least she always has a passionate point of view. -- Entertainment Weekly, Dana KennedyWhile Bitch is full of enormous contradictions, bizarre digressions and illogical outbursts, it is also one of the more honest, insightful and witty books on the subject of women to have come along in a while. -- The New York Times Book Review, Karen Lehrman--This text refers to an out of print or unavailable edition of this title.

内容简介

No one better understands the desire to be bad than Elizabeth Wurtzel.Bitch is a brilliant tract on the history of manipulative female behavior. By looking at women who derive their power from their sexuality, Wurtzel offers a trenchant cultural critique of contemporary gender relations. Beginning with Delilah, the first woman to supposedly bring a great man down (latter-day Delilahs include Yoko Ono, Pam Smart, Bess Myerson), Wurtzel finds many biblical counterparts to the men and women in today s headlines.In five brilliant extended essays, she links the lives of women as demanding and disparate as Amy Fisher, Hillary Clinton, Margaux Hemingway, and Nicole Brown Simpson. Wurtzel gives voice to those women whose lives have been misunderstood, who have been dismissed for their beauty, their madness, their youth.She finds in the story of Amy Fisher the tragic plight of all Lolitas, our thirst for their brief and intense flame. She connects Hemingway s tragic suicide to those of Sylvia Plath, Edie Sedgwick, and Marilyn Monroe, women whose beauty was an end, ultimately, in itself. Wurtzel, writing about the wife/mistress dichotomy, explains how some women are anointed as wife material, while others are relegated to the role of mistress. She takes to task the double standard imposed on women, the cultural insistence on goodness and society s complete obsession with badness: what s a girl to do? Let s face it, if women were any real threat to male power, "Gennifer Flowers would be sitting behind the desk of the Oval Office," writes Wurtzel, "and Bill Clinton would be a lounge singer in the Excelsior Hotel in Little Rock."Bitch tells a tale both celebratory and cautionary as Wurtzel catalogs some of the most infamous women in history, defending their outsize desires, describing their exquisite loneliness, championing their take-no-prisoners approach to life and to love. Whether writing about Courtney Love, Sally Hemings, Bathsheba, Kimba Wood, Sharon Stone, Princess Di--or waxing eloquent on the hideous success of The Rules, the evil that is The Bridges of Madison County, the twisted logic of You ll Never Make Love in This Town Again--Wurtzel is back with a bitchography that cuts to the core. In prose both blistering and brilliant, Bitch is a treatise on the nature of desperate sexual manipulation and a triumph of pussy power.

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