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| Greek Art Philippe Bruneau General Introduction Background to the study of Greek sculpture Statuary and relief Art and craftsmanship How statues were used The Archaic Period Small figures Large statues Architectural sculpture The sculpture of the Acropolis, Athens The Classical Period The Classical Period "The invention of art" and the question of lost originals Five master sculptors Themes and styles of Classical statuary: realism and idealism Architectural sculpture The freestanding relief The art of the goldsmith Greek sculpture outside Greece The Hellenistic and Imperial Periods Hellenistic sculpture The sanctuary at Delphi The development of the portrait Sculpture in the home The Imperial period The Art of the Etruscans Maria Torelli The historical background to Etruscan art The birth of figurative art: from the geometric style to Daedalic sculpture The flowering of Ionian art of the Archaic period The"courtly" austerity of the oligarchies The late-Classical renaissance The Etruscan Hellenistic style in the Italic koine The process of Romanization The Roman World Xavier Barral i Aim Introduction The New Functions of Sculpture Architecture and sculpture Originals and copies Public sculpture and official propaganda Iconography The house and its decoration Roman Realism The portrait and its development Sarcophagi and funerary sculpture The historical relief Religion and politics Working with the Raw Material Patrons and sculptors The capital Materials and colour Bronze Silver and ceramics The Development of Roman Sculpture The Republican era The Augustan myth Imperial art under the Flavians and Antonines Changes during the third century Originality in the Provinces Mare Nostrum The Iberian peninsula Gaul and Germany The outlying regions The Decline of Empire Art under Constantine The Christianized sarcophagus Constantinople Conclusion Picture Credits …… |
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