| The Future isn t what it used to be. No one believes any longer in The F~destination to which the present will inevitably deliver us. But with the d~Future, we have become curious about the possible futures germinating In 1~iand it is this that animates the ICA. It could hardly be otherwise, with the ran~and the mixing and matching of them that go on here. ::~~ It s also the guiding spirit of this exhibition that sets out - through the prt~to sustain and develop premise, rather than simply reward achievement. ~: It s a convention of a preface to say that the exhibition has been a eollabolventure. In this instance, it s more than a mere gesture. We should like to thal~more than fifty nominators who began the process of selection; and the ju~collaborative generosity across three days gave the exhibition the identity Rilloutgoing Director of Exhibitions, Emma Dexter, chaired the judges panel andiappropriate to thank her for her work- not over three days, but over the last ni The various members of the Beck s team have entered fully, with open mb~the complex dialogue that brought the exhibition into being; the ICA team,Curator, Susan Copping, the Exhibition Co-ordinator Brendan Caylor andAssistant November Paynter, who kept their nerve and intelligence admirabl~Uthe complex process. If Beck s Futures has a future then, in the end, it s the arli!will deserve the credit - it is they who are taking the real risk - and I thank them)all, for the art. i |
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