Fade in
1. The screen
s black. We hear muffled rock-and-roll music. Then we read
BALTIMORE
1959
Fade out
Fade in.
2. Interior. Dance-hall basement. Night.
FEb/WICK walks along the dimly lighted basement. Heavy winter coats hang from hooks
on the wall. In the background there is constant traffic of people entering and leaving the
rest rooms. From above we hear the muffled sound of the rock-and-roll BAND.
FEb/WICK is in his early twenties and is dressed in the ]oe College style of the late
)qfties--sports jacket， button-down shirt， chino pants， and Bass IAleejuns. We sense that
he is a little lost in himself， confused. He looks out one of the windows onto the parking
lot. Then， without any outward anger， he punches his jqst through a windowpane. Seconds
later he breaks another window with his fist.
~Eb/WICK， picking up the beat of the music from above， struts to the sound as he approaches
another bank of windows. He calmly- breaks another windowpane with his fist.
A cuY coming out of the bathroom in the background sees FEb/WICK s actions and then heads
up the steps.
Cut to
3. Interior. Dance hall.
The crowd is gathered around the bandstand，
*lkt
listening to the local group， THE SHAKERS，
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