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| 王宗炎序 沈家煊序 导读 Preface Notational conventions 1 Setting the stage 2 Tonal representation and tonal proceses 3 Directionality and interacting sandhi processes 1 4 Directionality and interacting sandhi processes 2 5 From base tones to sandhi forms:a constraint-based analysis 6 From tone to accent 7 Stress-foot as sandhi domain 1 8 Stress-foot sa sandhi domain 2 9 Minimal rhythmic unit as obligatory sandhi domain 10 Phonological phrase as a sandhi domain 11 From tone to intonation Concluding remarks Bibliographical appendix Tone sandhi across Chinese dialects References Subject index Author index 文库索引 |
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