When Lord Jim first appeared in 1900, many took Joseph Conrad
to task for couching an entire novel in the form of an extended
conversation--a ripping good yarn, if you like. (One critic in The
Academy complained that the narrator "was telling that after-dinner
story to his companions for eleven solid hours.") Conrad defended
his method, insisting that people really do talk for that long, and
listen as well. In fact his chatty masterwork requires no
defense--it offers up not only linguistic pleasures but a timeless
exploration of morality.
The eponymous Jim is a young, good-looking, genial, and naive
water-clerk on the Patna, a cargo ship plying Asian waters. He is,
we are told, "the kind of fellow you would, on the strength of his
looks, leave in charge of the deck." He also harbors romantic
fantasies of adventure and heroism--which are promptly scuttled one
night when the ship collides with an obstacle and begins to sink.
Acting on impulse, Jim jumps overboard and lands in a lifeboat,
which happens to be bearing the unscrupulous captain and his
cohorts away from the disaster. The Patna, however, manages to stay
afloat. The foundering vessel is towed into port--and since the
officers have strategically vanished, Jim is left to stand trial
for abandoning the ship and its 800 passengers.
Stripped of his seaman's license, convinced of his own cowardice,
Jim sets out on a tragic and transcendent search for redemption.
This may sound like the bleakest of narratives. But Lord Jim is
also touching, elevating, and often funny. Here, for example, the
narrator describes the ship's captain (proving that clothes do
indeed make the man):
He made me think of a trained baby elephant walking on hind-legs.
He was extravagantly gorgeous too--got up in a soiled sleeping
suit, bright green and deep orange vertical stripes, with a pair of
ragged straw slippers on his bare feet, and somebody's cast-off
pith hat, very dirty and two sizes too small for him, tied up with
a manilla rope-yarn on the top of his big head. You understand a
man like that hasn't a ghost of a chance when it comes to borrowing
clothes.
This is formidable prose by any standard. But when you consider
that Conrad was working in his third language, the sublime
after-dinner story that is Lord Jim seems even more astonishing an
accomplishment. --Teri Kieffer --This text refers to the Paperback
edition.
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