| ANNETTE RICHARDS is Associate Professor of Music and University Organist at Cornell University. She is the author of The Free Fantasia and the Musical Picturesque (Cambridge, 2001), and co-editor of Acting on the Past: Historical Performance Across the Disciplines (2000). |
| List of plates Notes on contributors Acknowledgments List of abbreviations Introduction Annette Richards 1 Diderot's Paradoxe and C. P. E. Bach's Empfindungen Richard Kramer 2 Dark fantasies and the dawn of the selfi Gerstenberg's monologues for C. P. E. Bach's C minor Fantasia Tobias Plebuch 3 Sources of C. P. E. Bach's solo keyboard works in the Sing-Akademie archives Darrell M. Berg 4 Reason and revelation in C. P. E. Bach's resurrection oratorio Richard will 5 C. P. E. Bach and C. C. Sturm: sacred song, public church service, and private devotion Ulrich Leisinger 6 An enduring monument: C. P. E. Bach and the musical sublime Annette Richards 7 C. R E. Bach and the living traditions of learned counterpoint David Yearsley 8 Plates for sale:C.P.E.Bach and the story of Die Kunst der Fuge David Ferris 9 "Our old great favourite":Burney,Bach,and the Bachists Christopher Hogwood Index |
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