
| Part I. Trecento Art History and Historiography: 1. General introduction 2. Meiss and method: historiography of scholarship on mid-Trecento Sienese painting Part II. Artists and Patrons: Working Relationship in Transition: 3. Patrons and artists 4. Economic, social and political conditions and the art market after 1348 5. Artists’ working relationships in the early Trecento 6. A Sienese ‘compagnia’, c. 1348–1363Part Part III. Transmission and Transformation of Civic-Religious Imagery 7. The crafting and consolidation of Sienese civic-religious imagery; 8. Sienese civic-religious imagery at the mid TrecentoPart IV. Artistic Style: Tradition and Transition: 9. Stylistic pluralism in the 1330s and 1340s 10. The politics of style in the 1350s and 1360s: the case of Santa Maria della Scala 11. Style as iconography: general reflections Part V. Conclusion. Notes Wprks Cited Index |
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