| 作者简介：PETER HOLLAND is McMeel Family Professor in Shkespeare Studies in the Department of Film, Television and Theatre at the University of Notre Dame. He was Director of the Shakespeare Institute, Stratford-upon-Avon and Professor 0fShakespeare Studies at the University of Bimingham (UK) from I997 to zoo2, and prior to that was iudith E, Wilson Reader in Drama and Theatre in the Faculty of English, University of Cambridge. He is Editor of shakespeare Survey (Cambridge) and General Editor of Redenining British Theatre History; Oxford Shakespeare Topics (with Stnley Wells) and Great Shakespeareans (with Adrian Poole). His books include English Shakespeares (Cambridge, i997) and, most recently, with Stephen Orgel, From Performance to Print in Shakespeare's England (2006). |
| List of illustrations Notes on contributors Acknowledgements Foreword by Stanley Wells Introduction Peter Holland PART Ⅰ SHAKESPEARE'S PERFORMANCES OF MEMORY 1 Speaking what we feel about King Lear 2 Shakespeare's memorial aesthetics 3 Priamus is dead: memorial repetition in Marlowe and Shakespeare PART Ⅱ EDITING SHAKESPEARE AND THE PERFORMANCE OF MEMORY 4 'Wrought with things forgotten': memory and performance in editing Macbeth 5 Citing Shakespeare PART Ⅲ PERFORMANCE MEMORY; COSTUMES AND BODIES 6 Shopping in the archives: material memories 7 'Her first remembrance from the Moor': actors and the materials of memory 8 On the gravy train: Shakespeare, memory and forgetting PART Ⅳ RECONSTRUCTING SHAKESPEAREAN PERFORMANCE 9 Remembering Bergner's Rosalind: As You Like It on film in 1936 10 Shakespeare exposed: outdoor performance and ideology, I88O-194o PART Ⅴ PERFORMANCE MEMORY: TECHNOLOGIES AND THE MUSEUM 11 Fond records: remembering theatre in the digital age 12 The Shakespeare revolution will not be televised: staging the media apparatus 13 Memory, performance and the idea of the museum Afierword by Stephen Orgel Index |
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