| Editorial Notes Grande Fantaisie de Bravoure sur La Clochette de Paganini[Large Bravura Fantasy on Paganini's "La CampaneUa"], Op. 2(1832) Etudes d'Execution Transcendante d'apres Paganini [Etudes for Transcendental Technique after Paganini] (1838) (dedi- cated to Clara Schumann) Preludio, 31.1 (G minor), 32.2 (E-flat major), 43.3: LaCampanella (A-flat minor/major), 51.4 (E major) Ver-sion I, 59; Version II, 65. 5: La Chasse [The Hunt] (Emajor), 72.6: Theme and Variations (A minor), 81. Grandes Etudes de Paganini [Paganini Etudes] (1851) (dedi-cated to Clara Schumann) 1 (G minor), 91.2 (E-flat major), 99. 3: La Campanella(G-sharp minor), 106.4 (E major), 115.5: La Chasse (Emajor), 118.6 (A minor), 123. Morceau de Salon: Etude de Perfectionnement [Salon Piece Finishing Etude] (1840) Ab Irato: Grande Etude de Perfectionnement [Ab Irato: Large Finishing Etude] (1852) Trois Etudes de Concert [Three Concert Etudes] (c. 1848)(dedicated to Eduard Liszt) No. 1 in A-flat Major, 143. No. 2 in FMinor, 152. No. 3 in D-flat major, 160. Two Concert Etudes (c. 1862-63) (dedicated to Dionys Pruckner) Gnomenreigen [Dance of the Gnomes], 169. Wal- desrauschen [Forest Rustling], 177 |
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