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| Foreword Ⅰ. Choreography: Materials and Structure Ⅱ. Gesture and Mime Ⅲ. Ballet Music: Key Composers Ⅳ. Dress for Dancing: Antique and Historical Ⅴ. Decor for Dancing Ⅵ. A Conspect of Ballets 1573-1968 1573: Le Ballet des Polonais. Court Ballet: Beginnings 1581 : Ballet-Comique de la Royne Louise. Court Ballet: Culmination 1616: La Liberazione di Tirreno e d'Arnea, Autori del Sangue Toscano. Ballet at Court: Italy 1617: La Delivrance de Renaud. Ballet at Court: France 1640: Salmacida Spolia. The English Court Masque 1645: La Finta Pazza (La Folle Supposee). DEcor and Divertissement 1653: Le Ballet de la Nuit. Royal Ballet 1654: Les Nopces de Pelee et de Thetis. Opera-Ballet 1661: Les Facheux. French Comedy-Ballet 1670: Les Amants Magnifiques. End of the Amateur 1714: Les Horaces. French Pantomime 1717: The Loves of Mars and Venus. English Pantomime 1726: Les Caracteres de la Danse. Rococo Variety 1750: La Guinguette. Ballet Burlesque 1752-53: Pygmalion. Ballet d'Action : Vienna 1754: Les Fetes Chinoises. The Exotic: Living Pictures 1758: Le Turc Genereux (Der Grossmutige TUrke). The Exotic: Danced Drama 1761 : Don Juan ou le Festin de Pierre. Music-Drama Danced 1763: Jason et Med6e. Ballet d'Action: Heroic Pantomime 1789: La Fille Mal Gardee. Country Dances: Peasant Comedy 1796: Flore et Zephyre. Flight: Wires and Toe Shoes 1818: La Vestale. Choreodrama 1827: La Somnambule ou I'Arrivee d'un Nouveau Seigneur. Ballet Bourgeois 1831 : Robert le Diable. Gothic Romanticism 1832: La Sylphide. Ballet Romantique 1841: Giselle ou les Wills. Ballet Romantique: Score and Corps 1844: La Esmeralda. Realism: Character and Corps 1845: Le Pas de Quatre. Ballet Embodied 1862: La Fille du Pharaoh. Ballet e Grand Spectacle 1864: Koniok Gorbunok. Franco-Russian Ballet 1870: Coppelia ou La Fille aux Yeux d'Email. Decadence: The Dancing Do 1890: La Belle au Bois Dormant. Romanov Ballet de Cour 1894-95: Le Lac des Cygnes. Music for Masterwork 1909: La Pavilion d'Armide. France's Gift to Russia Returned 1909. Les Sylphides. Romantic Reprise and Recapitulation 1910: Scheherazade. D iaghilev's Oriental Orgy 1911: Petrouchka. Ballet Russe: Music and Magic 1912: L'Apr6s-Midi d'un Faune. Restriction Toward Revolution 1913: Jeux. Modernity: Sex as Sport 1913: Le Sacre du Printemps. Russian Ballet: Rite and Revolution 1917: Parade. Modern Life: Paint and Pantomime 1922: Triadisches Ballet. Abstract Ballet: Costume as Decor 1923: Tanzsynfonia. Movement as Music: Symphonism 1923: Les Noces Villageoises. Ritual Synthesis 1928: Apollon Musagete. The Academy Renewed 1936: Jardin aux Lilas. English Dance-Drama 1944: Fancy Free. Broadway Ballet 1948: Orpheus. Mime and Music: Another Start 1957: Agon. Mastery by Music for Movement 1968: Enigma Variations. The Composer as First-Dancer Acknowledgments Notes to Illustrations Bibliography Index |
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