| ForewordPrefatory Statements and AcknowledgmentsPOLEMICAL INTRODUCTIONFIRST ESSAY. Historical Criticism: Theory of ModesFictional Modes: IntroductionTragic Fictional ModesComic Fictional ModesThematic ModesSECOND ESSAY. Ethical Criticism: Theory of SymbolsIntroductionLiteral and Descriptive Phases: Symbol as Motif and as SignFormal Phase: Symbol as ImageMythical Phase: Symbol as ArchetypeAnagogic Phase: Symbol as MonadTHIRD ESSAY. Archetypal Criticism: Theory of MythsIntroductionTheory of Archetypal Meaning (1):Apocalyptic ImageryTheory of Archetypal Meaning (z):Demonic ImageryTheory of Archetypal Meaning (3):Analogical ImageryTheory of Mythos: IntroductionThe Mythos of Spring: ComedyThe Mythos of Summer: RomanceThe Mythos of Autumn: TragedyThe Mythos of Winter: Irony and SatireCONTENTSFOURTH ESSAY. Rhetorical Criticism: Theory of GenresIntroductionThe Rhythm of Recurrence: EposThe Rhythm of Continuity: ProseThe Rhythm of Decorum: DramaThe Rhythm of Association: LyricSpecific Forms of DramaSpecific Thematic Forms (Lyric and Epos)Specific Continuous Forms (Prose Fiction)Specific Encyclopaedic FormsThe Rhetoric of Non-Literary ProseTENTATIVE CONCLUSIONNOTESGLOSSARYINDEX |
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