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Gerhard Richter: Forty Years of Painting

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Gerhard Richter: Forty Years of Painting

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作 者:Robert Storr,Gerhard Richter

出 版 社:Museum of Modern Art,

出版时间:2002-02

I S B N:9780870703577

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"Auster's typewriter will be forever preserved in this wonderful little book..." -- Rain Taxi Review of Books, Fall 2002Curator Robert Storr—who also wrote the catalog's penetrating 80-page essay—…. effectively streamlines the story. -- The Village Voice, February 25, 2002 – Jerry SaltzRichter perfectly captures the way we look at things, hazily, momentarily, in a flash, and temporarily "preserves" it… -- Artnet.com, January 30, 2002 – Charlie FinchWhatever your favorite Richters, this is one exhibition, curated to perfection, which will reward repeated viewings. -- Artnet.com, February 21, 2002 – Charlie Finch…his forty-year career comes off as a resounding hosanna of piquant, good, and great paintings, with something for everyone. -- The New Yorker, February 25, 2002 -- Peter Schjeldahl…one of the finest, most beautiful and strangely moving exhibitions of the work of a living painter in years. -- The New York Times, February 15, 2002 – Michael Kimmelman--This text refers to an alternate Hardcoveredition.

内容简介

Ranging from photo-based pictures to gestural abstraction, Gerhard Richter s diverse body of work calls into question many widely held attitudes about the inherent importance of stylistic consistency, the inaturali evolution of individual artistic sensibility, the spontaneous component of creativity, and the relationship of technological means and mass media imagery to traditional studio methods and formats. Unlike many of his peers, he has explored these issues through the medium of painting, challenging it to meet the demands posed by new forms of conceptual art. In every level of his varied output--from his austere photo-based realism of the early 60s, to his brightly colored gestural abstractions of the early 80s, to his startling cycle of black-and-white paintings of the Baader-Meinhof group--Richter has assumed a critical distance from vanguardists and conservatives alike regarding what painting should be. The result has been among the most convincing renewal of painting s vitality to be found in late 20th- and early 21st-century art. With an extensive and insightful critical essay by curator Robert Storr, a recent interview with the artist, a chronology, an exhibition history, and nearly 300 color and duotone reproductions, Gerhard Richter: Forty Years of Painting marks a significant contribution to the understanding of contemporary art in general, and Gerhard Richter in particular.

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