| Laurence Senelick is Director of Graduate Studies and Fletcher Professor of Drama and Oratory at Tufts University. He is the author of more than a dozen books, most recently The Chekhov Theatre and The Changing Room: Sex, Drag, and the Theatre. He is director of his own translations of Gogol’s The Inspector General (1998) and Euripides’ The Bakkhai (2001). |
| Preface A Note on the Translations A Guide to Transliteration and Pronunciation Phonetic Pronunciation of the Names in the Plays General Introduction The Texts of the THE BEAR Preface The Bear Variants IVANOV Preface Ivanov Variants THE WEDDING Preface The Wedding Variants THE CELEBRATION Preface The Celebration Variants THE SEAGULL Preface The Seagull Variants UNCLE VANYA Preface Uncle Vanya Variants THREE SISTERS Preface Three Sisters Variants Plays THE CHERRY ORCHARD Preface The Cherry Orchard Variants Chekhov's Letters Criticism THE PLAYS IN GENERAL George Calderon·An Introduction to 'Tchekhof' Naum Berkovsky·Chekhov, Story Writer and Dramatist Boris Zingerman·Space in Chekhov's Plays Jovan Hristi6·Time in Chekhov: The Inexorable and the Ironic SPECIFIC PLAYS Z. Paperny·The Vaudevilles Lyov Shestov·Creation from the Void: Ivanov Patrice Pavis·The Originality of The Seagull and Its Context Maria Deppermann·Uncle Vanya Jurij Striedter·Drama as a Game of Reflected Expectations Chekhov's Three Sisters Andrey Bely·The Cherry Orchard Directors on Chekhov Konstantin Stanislavsky·Second Thoughts on The Seagull Vsevolod Meyerhold·The Naturalistic Theatre and the Theatre of Mood Otomar Krejca·Chekhov's Plays Giorgio Strehler·Notes on The Cherry Orchard Jean-Louis Barrault·Why The Cherry Orchard? Peter Brook·The Cherry Orchard: An Immense Vitality Peter Stein·My Chekhov Anatoly Efros·Everything to Do with Chekhov Mark Rozovsky·Reading Uncle Vanya Anton Chekhov: A Chronology Selected Bibliography |
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