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复辟时期和18世纪喜剧 RESTORATION AND EIGHTEENTH-CENTURY COMEDY

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复辟时期和18世纪喜剧 RESTORATION AND EIGHTEENTH-CENTURY COMEDY

最 低 价:¥117.30

定 价:¥149.00

作 者:ScottMcMillin 著

出 版 社:华文出版社

出版时间:1997-12-1

I S B N:9780393963342

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内容简介

This Second Edition builds on its predecessor’s strengths by adding a sixth play, Aphra Behn’s The Rover, a comedy that has clearly come into prominence in recent years. The plays are fully annotated for the modern reader and are accompanied by six illustrations.
The close relationship between theater and society during the period continues to be the focus of “Contexts.” The editor offers contemporary discussions of the following topics: “On Wit, Humour, and Laughter: 1660–1775,” “The Collier Controversy: 1698,” “Steele and Dennis: On The Man of Mode and The Conscious Lovers,” and “Stages, Actors, and Audiences.”
“Criticism” has been revised to reflect approaches in scholarly interpretations. Two seminal essays from the First Edition have been retained—Charles Lamb’s appreciation of the period’s comedy and L. C. Knights’s condemnation of it. New essays by Jocelyn Powell, Harriet Hawkins, Elin Diamond, Martin Price, and Laura Brown have been added.

作者简介

Scott McMillin is Professor of English at Cornell University. He is the author of Shakespeare in Performance: I Henry IV and The Elizabethan Theatre and the Book of Sir Thomas More and the co-author (with Sally-Beth MacLean) of The Queen’s Men and Their Plays, which won the Sohmer-Hall prize in Theatre History. Professor McMillin is editor of The First Quarto of Othello in the Cambridge Shakespeare.

目录

Preface to the First Edition
Preface to the Second Edition
A Note on the Texts
The Texts of the Plays
Illustration: The Country Wife, National Theatre, 1977
 William Wycherley—The Country Wife
 George Etherege—The Man of Mode
 Aphra Behn—The Rover
 Illustrations: The Way of The World, National Theatre, 1969
 Illustrations: The Way of The World, National Theatre, 1969
 William Congreve—The Way of the World
 Richard Steele—The Conscious Lovers
 Illustrations: The School for Scandal, Haymarket Theatre, 1962
 Richard Brinsley Sheridan—The School for Scandal
Contexts
 On Wit, Humour, and Laughter: 1650–1775
 Thomas Hobbes:
  [On Laughter]
  [On Wit]
  [On Power]
 John Dryden—Preface to An Evening’s Love: or, The Mock Astrologer
 William Congreve—Concerning Humour in Comedy
 Richard Steele: Epilogue to The Lying Lover
 The Tatler, No. 219
 Joseph Addison: The Spectator, No. 47
 The Spectator, No. 62
 Oliver Goldsmith—An Essay on the Theater
 The Collier Controversy: 1698
 Jeremy Collier—A Short View of the Immorality and Profaneness of the English Stage
 John Dennis—The Usefulness of the Stage
 William Congreve—Amendments of Mr. Collier’s False and Imperfect Citations
 Steele and Dennis: On The Man of Mode and The Conscious Lovers
 Richard Steele: The Spectator, No. 65
 The Theatre, No. 1
 The Theatre, No. 3
 John Dennis: A Defense of Sir Fopling Flutter
 Remarks on The Conscious Lovers
 Stages, Actors, and Audiences
 Emmet L. Avery and Arthur H. Scouten—The Theatrical World, 1600–1700
 Elizabeth Howe—The Arrival of the Actress
 Emmet L. Avery and Arthur H. Scouten—The Audience
 Charles Beecher Hogan—[Scenery and Lighting]
 Illustration: Model Reconstruction of Wren’s Design for a Playhouse, ca. 1674
 Illustration: The Interior of Drury Lane in 1775
Criticism
 Charles Lamb—On the Artificial Comedy of the Last Century
 L. C. Knights—Restoration Comedy: The Reality and the Myth
 Jocelyn Powell—[Visual Rhythm in The Country Wife]
 Harriet Hawkins—[The Man of Mode]
 Elin Diamond—Gestus and Signature in Aphra Behn’s The Rover
 Martin Price—[Form and Wit in The Way of the World]
 Laura Brown—[The Way of the World]
 Raymond Williams—[Sentimentalism and Social History]
Selected Bibliography

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